Things Get Serious with Supernatural ‘Funeralia’

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The ominously titled “Funeralia,” written by Steve Yockey and directed by (one of my favorite directors) Nina Lopez-Corrado, kept the momentum going as Supernatural nears the end of Season 13. I had a few quibbles with this episode, but there was quite a bit that I loved a lot.

This episode had only two story lines going, which made the back and forth feel less overwhelming than it sometimes does, and I appreciated that. It let the emotional impact of both story arcs come through much more clearly, and honestly, that’s usually my favorite thing about an episode of this show. Adventure is good, but I watch for the emotional resonance, for the characters who are so real that they feel things – and I can feel with them.

Story line number one was Castiel and the fate of Heaven and the Angels. I am not always very adept at…

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Supernatural Seacon 2018!

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Seattle con has always been one of my favorites. It’s just a short drive from Vancouver, so the cast is usually well rested and in a great mood – and it’s where some of my close friends live, so it means I get to visit them and hang out too. Add in the fact that some of my favorite fangirl buds were also here this year and that just makes it better. I had a vendor table with plenty of copies of Family Don’t End With Blood and our other books on Supernatural and fandom, right next to the lovely Kayla and Louden Swain, which was extra fun.

My friend Alana King of Youtube fame was also at the con, which meant time to hang out and some bonding time for the two of us whenever I accompanied Alana to anything that had to do with one Mr. Jared Padalecki…

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A Night of Fright Is A Total Delight! Scoobynatural

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Last week’s Supernatural episode was one of the special ones – unlikely, risky, innovative, the sort of episode that when you hear the idea half of you is going “What now?” and the other half is immediately jumping up and down and yelling “Hell yeah!”  One of the things I cherish most about this Show that I’ve loved for thirteen years is its fearlessness. It started life on a network that disappeared by the time its first season was over, with a person in charge who didn’t understand what it was or why anyone would like it, managed to get picked up on the successor network that no one expected to make a long term go of it, sat precariously on the bubble for its first four or five seasons, and half the time since, and yet all that time the show never “played it safe”. As Jensen Ackles said…

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